Cinematography

Minnaram – Another Priyadarshan-KV Anand Visual treat that we don’t talk much about

There has not been another director in Malayalam Cinema who visualized his movies as brilliantly as Priyadarshan. In 1994, he found a great accomplice in the extremely skilled Cinematographer K V Anand as they teamed up first time for the visual magic that was Thenmavin Kombath. The movie’s exquisite frames that are still discussed today, […]

Cinematography Tamil Movies

Thuppakki and its frames – Why it is a classic in Action Thriller genre

8 years before on this day, Nov 13th, I watched Thuppakki on its first day. Since then I have not seen a better superstar mass action entertainer movie in any language in India. Thuppakki was a classic in action thriller genre. A look through some of its great frames on its 8th anniversary and what […]

All Time Favorites Cinematography

Memories and its effective use of Night and low light scenes throughout

Jeethu Joseph’s 2013 movie Memories still remains one of the finest investigative thrillers to have come out in Malayalam Cinema. One of its most distinguishing features is how the movie is shot in low light or night for the most part. The movie starts at night. The interval is at night. The climax is at […]

Cinematography Frames in Movies

Devadoothan and Frames that were ahead of its times

One of Malayalam Cinema’s biggest mysteries would be how Devadoothan became a flop at box-office. I still remember how the movie managed to both scare and stun me when watching it first day in theaters 20 years back. Just look at these visuals! Thanks Amazon Prime for this remastered print ! Also Read : Mohanlal […]

Cinematography

How repeated frames aid Varane Avashyamund’s storytelling

I liked Varane Avashyamund more in second viewing. Its now when I noticed how certain frames or particular location spots repeat in the movie and act as an aid in storytelling. It is also a technique that makes the movie endearing to the audience. Take a look at those repeated frames. (Spoilers ahead) Follow me […]